Comparison is "a comparative composition, setting something greater or
equal side by side with the subject." Building on the previous two exercises,
this is either a double encomium or an encomium paired with a vituperation.
Students were instructed to make a forceful effect. Subject matter is
the same as in the prior two exercises, but often included historical,
legendary, or fictitious characters.
Directions for Composition
Praise two people (or things) in close comparison, or praise one and
vituperate against the other. Be certain not to treat them separately,
but together, in parallel fashion. After composing an exordium (introduction),
follow these steps:
- Describe the stock each person comes from:
- what people
- what country
- what ancestors
- what parents
- Describe each person's upbringing
- education
- instruction in art
- training in laws
- Describe each person's deeds, which should be described as the results
of
- his/her excellencies or evils of mind (such as fortitude/weakness
or prudence/indiscretion)
- his/her excellencies or evils of body (such as beauty/plainness,
speed/lethargy, or vigor/lack of vigor)
- his/her excellencies or evils of fortune (good/ill use of high
position, power, wealth, or friends)
- Conclude with an epilogue including either an exhortation to your
hearers to/not to emulate either person, or a prayer.
ExampleA
comparison of Achilles and Hector is suggested. The most famous examples
from antiquity of comparison or sinkrisis are from Plutarch's parallel
lives, such as that comparing Demosthenes
and Cicero.
Related Figures
Related Topics of Invention
Sources:
Quintilian 2.4.21 |