CATALOG
DESCRIPTION
AL 805 Rhetoric Theory and History (3 cr). Historical perspective
on major theories, issues, and topics in rhetoric and writing
from classical times to the present.
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COURSE
FOCUS AND GOALS, COURSE OVERVIEW
AL 805 will examine the theory of rhetoric, or the art of communicating,
as it has developed and evolved historically, ebbed and waned, from
the classical era up to postmodernism. (AL 882 Contemporary Theories
of Rhetoric picks up where AL 805 leaves off.) The chief goal of
AL 805 is to help you develop an historical perspective on theories
of rhetoric, literacy, and composition. You should emerge from the
course with a deeper understanding of what it means to "do
rhetoric" and a deeper respect for the contributions of our
rhetorical ancestors. (Note: While we will do some reading and discussion
in rhetoric historiography, this is NOT primarily a course about
how to do historical research in the field.)
Mostly
this class will focus on the Western, academic tradition of rhetoric
— the so-called "traditionalist account" (Berlin,
1994) or Heritage School of classical rhetoric (Welch, 1994) —
of which Aristotle is the central character and The Rhetorical
Tradition the principle anthology. Mainly we will be tracking
one particular intellectual rhetorical migration — the one
from ancient Athenian Greece to Rome to Western Europe to the United
States. It is certainly an important migration, because it is the
dominant one that has influenced literacy practices, particularly
educational practices, in the United States. However it is not the
only one. As we track this migration, we will see that much of the
art of rhetoric has been lost or skewed over time; that there is
much the art obscures or neglects; that there are other rhetorical
traditions we should encounter and explore. And so we will continually
ask the critical question, Why THIS history?
As
we track the Heritage School of Graeco-Roman, Anglo-American rhetoric,
we will see that this heritage focuses largely on theory, on pedagogy,
and on the relationship between the two. We will also see that this
tradition on the whole rests on a particular assumption about the
status of the rhetor: that the rhetor (speaker/writer) has a relatively
powerful, or potentially powerful, status. The assumption is that
the rhetor is a literate, educated citizen (usually male), with
access to power and the means to speak and to persuade others. Alternatives
voices within this tradition have typically not been anthologized
because those voices have often been historically silenced (e.g.,
Aspasia, Sor Juana). (The second edition of The Rhetorical Tradition
is just beginning to acknowledge those voices.) Rhetoricians in
this second tradition tend to focus less on academic theory and
pedagogy and more on establishing one's right to speak in the first
place (or to be educated to speak); on issues of exclusion, silencing,
and censorship; on access to communication media and to literacy
education; on achieving identity and respect; on preserving language
and rhetorical customs; and on basic issues of justice and power.
Subordinated and silenced traditions have a different kind of struggle
— establishing the right to speak and to be heard for those
who have historically been denied those rights (particularly women,
marginalized ethnic and racial groups, and persecuted religious
communities), not only in society at large but in the academy as
well.
In
a sense, then, we will be considering TWO kinds of rhetorical/oratorical
stances: (1) the rhetor within and assumed by the Graeco-Roman tradition
of Aristotle and his descendants; (2) the rhetor marginalized, excluded,
or ignored by this tradition who nonetheless speaks from it and/or
to it. As we explore these two tracks in "the" tradition
of rhetoric, it will be apparent that they invoke and develop different
kinds of rhetoric theory, but also that there are resources, themes,
and strategies common to both.
WHY
DO RHETORIC? WHY STUDY RHETORIC HISTORY AND THEORY?
A
key question guiding my thinking these days is this one: What does
rhetoric DO? What difference does it make? What useful, important,
or valuable function does it serve as a discipline, as a methodology,
as a critical/scholarly approach, as a tool? Why should anyone DO
rhetoric? In terms of AL 805, the key subquestions to ask are these:
What does rhetoric THEORY do(for us, for anyone)? How does the study
of the HISTORY of rhetoric help us? By the time the course ends,
you should be prepared to answer these questions for yourself.
Here's
a provisional attempt to address these questions — largely
underdeveloped and unsatisfactory, but it will do to get us started:
Understanding history/ies of rhetoric is vital to understanding
the role and status of writing in the educational curriculum today.
Do we really understand what "writing" is? Most of our
theories/practices for teaching it arise from a rhetoric for oral
discourse — is that appropriate? Most of our actual venues
for writing these days are multimodal and hypertextual — do
theories/practices for speech and print discourse actually apply
any more? It does help to understand where our theories and practices
come from. Why is style still (yes, STILL) the dominant focus of
composition instruction in K-12 education and in first-year composition?
The answer to that has something to do with Peter Ramus's view of
logic, with the Puritans and the St
Bartholomew's Day Massacre, with John Locke's philosophy of
language, with Hugh Blair's emphasis on taste, and with Matthew
Arnold's views of culture and literature. Unpacking the history
can help us understand why we are where we are, and how we could
do things differently.
I
believe that it is vitally important for those in rhetoric and writing,
literacy and pedagogy, and professional writing to understand and
respect the Western rhetorical tradition and its influence —
it affects how we think about texts, writing, persuasion, language
use, and both public and professional discourse. (Operative principle:
Respect your intellectual ancestors.) I beleve that it is also important
to critique this tradition — to understand its limitations,
its prejudices, its failings, even its injustices. We'll do both
— pay homage and apply withering critique — as appropriate
and needed.
REQUIRED
TEXTS
Aristotle,
Rhetoric. —> either the George Kennedy translation (Aristotle
on rhetoric: A theory of civic discourse, Oxford University
Press, 1991, $28) or the Corbett edition/Rhys Roberts translation
(The rhetoric and the poetics of Aristotle, Modern Library
College Edition, 1984, $10)
Bizzell,
Patricia, & Herzberg, Bruce, eds. (2001). The rhetorical
tradition: Readings from classical times to the present (2nd
ed). Bedford St. Martin's. Abbreviated RT. ($87 new, $24 and up
used) —> GET THE 2ND EDITION,
NOT THE 1ST!
Crowley,
Sharon. (1998). Composition in the university: Historical and
polemical essays. University of Pittsburgh Press. ($20)
Eisenstein,
Elizabeth L. (1983). The printing revolution in early modern
Europe. Cambridge University Press/Canto. ($16)
Murphy,
James J., ed. (2001). A short history of writing instruction:
From ancient Greece to modern America (2nd ed). Hermagoras
Press/Erlbaum. ($28) —> GET
THE 2ND EDITION, NOT THE 1ST!
Terrill,
Robert E. (2004). Malcolm X: Inventing radical judgment.
Michigan State University Press. ($33)
RECOMMENDED
SUPPLEMENTAL TEXTS
Lanham,
Richard, ed. (1992). A handlist of rhetorical terms (2d
ed.). University of California Press. ($20) --> a good one to
have on hand for the course, and for your permanent library ...
how else will you know whether "palilogia" is a good thing
or a bad thing in your writing?
Lunsford,
Andrea, ed. (1995). Reclaiming Rhetorica: Women in the rhetorical
tradition. University of Pittsburgh Press. ($23)--> an important
collection in feminist rhetorical historiography
*
prices listed are from Amazon.com;
texts listed are on library reserve
COURSE
PROJECTS, REQUIREMENTS, AND GRADING
—>
FOR BA AND MA STUDENTS
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Participation, including in-class discussion, in-class writing,
and online discussion board postings in ANGEL — 20%
There will be occasional in-class writing opportunities
— aka, "reading quizzes" — that will test
your knowledge of the readings for that day's class. For oral participation
in class and for online discussion board postings (in ANGEL), an
especially important criterion is your contributions to others'
projects and to the community learning effort. Regularity, substance,
helpfulness, and relevance of participation count more than frequency:
Do you attend class; participate regularly; provide interesting,
helpful, and substantive comments; and ask good questions? Are you
responsive to your classmates and the instructor? Do you provide
helpful feedback? Do you engage others' ideas with respect and in
a spirit of cooperation and mutual inquiry and learning? In general,
do you contribute to the intellectual community of the class? The
ANGEL discussion boards provide an opportunity for ongoing class
discussion outside of regular class time — feel free to make
new discussion forums in the online space.
•
Terminology paper (maximum 2 pp singlespaced including references)
and in-class presentation — 20%
Take a rhetoric term from the classical era and track its meaning
and significance historically, focusing on the range of variation
of use. Who used the term and how? How has the term developed or
diminished over time? How significant is the term? In what ways
has the term been a site of disagreement, conflict, or diversity
of views? What new potential do you see for expanding, reinvigorating,
or reinventing the term? Identify a small number of key resources
(4-8). Check topic choice with instructor in advance. Schedule your
in-class presentation with instructor to coordinate with related
class period. Key references for this assignment include Sloane,
Encyclopedia of Rhetoric; Enos, Encyclopedia of Rhetoric
and Composition; and Lanham, A Handlist of Rhetorical Terms.
Samples: Porter, on "Audience" and "Author";
hypertext essay on “kairos” http://english.ttu.edu/kairos/layers/rebirth.html.
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Take-home midterm exam — 15%
One or two short essays covering material from the first half of
the course.
•
Historical investigation paper (5 pp singlespaced + bibliography)
— 30%
Explore an issue, topic, or question in the history of rhetoric
and show its current relevance and application to professional writing.
You can explore in greater depth a topic we treated in class. Or
you can explore a topic/question that we didn't cover sufficiently
but that is worthy of treatment. Check topic choice with instructor
in advance. Assignment can be done in the form of a traditional
academic paper or as a web essay.
•
Take-home final exam — 15%
One or two short essays covering material from the second half of
the course.
—>
FOR PHD STUDENTS
•
Participation, including in-class discussion, in-class writing,
and online discussion board postings in ANGEL — 20%
There will be occasional in-class writing opportunities
— aka, "reading quizzes" — that will test
your knowledge of the readings for that day's class. For oral participation
in class and for online discussion board postings (in ANGEL), an
especially important criterion is your contributions to others'
projects and to the community learning effort. Regularity, substance,
helpfulness, and relevance of participation count more than frequency:
Do you attend class; participate regularly; provide interesting,
helpful, and substantive comments; and ask good questions? Are you
responsive to your classmates and the instructor? Do you provide
helpful feedback? Do you engage others' ideas with respect and in
a spirit of cooperation and mutual inquiry and learning? In general,
do you contribute to the intellectual community of the class? The
ANGEL discussion boards provide an opportunity for ongoing class
discussion outside of regular class time — feel free to make
new discussion forums in the online space.
•
Class presentation on a major historical figure or key topic —
25%
Each PhD student will be responsible for teaching a 30-minute
segment of the course, focusing on a major figure or topic treated
in AL 805 (e.g., do a class presentation that provides an in-depth
treatment of Gorgias, or of Plato, of Sor Juana, or of Kenneth Burke;
or of kairos, of ethos, of issues in rhetoric historiography, or
of the role of the progymnasmata in rhetoric pedagogy). Doing this
assignment requires the following: (1) give a short (~15 minutes)
in-class presentation; (2) provide a short (2-3 page) handout with
relevant information (e.g., key quotations, timeline, key primary
and secondary sources, outline of key points and questions); and
(c) lead a class discussion. Check topic choice with instructor
in advance. Schedule your in-class presentation with instructor
to coordinate with related class period. (Note: More than one person
can cover the same or a related topic: e.g., somebody could cover
the sophists; somebody else could do a presentation on Isocrates.
Two students could propose to collaborate on a longer presentation
treating a more comprehensive topic.) The main purpose of this assignment
is for you to dig into a figure/topic in greater depth, engaging
a broad range of primary and secondary sources.
Additional
notes on class presentation assignment (added 09.05.05)
Your job on the class presentation assignment is to provide
an overview and summary of the topic you have chosen —
but also to connect up your topic with (a) the readings assigned
in class pertaining to your topic, and (b) the theory and
history of rhetoric overall. In others, provide both DEPTH
and CONNECTION. Provide the class with more in-depth knowledge
of the figure or topic you are treating, but also make connections
across and between readings and figures.
HANDOUT.
Keep the handout short: a maximum of three pages. NO MORE
THAN 3. What should you provide in the handout? That's up
to you — but the key criteria are these: (a) What is
most important for the AL 805 class to know about this figure/theme
and carry away with them? (b) Why is this figure/theme of
importance to our overall understanding of the history and
theory of rhetoric? Here are some ideas for things you could
do in the handout (but for gods sake, don't do all of them!):
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a bibliography of key primary and/or secondary sources, with
maybe annotations for a few important sources
- a summary or overview of, or critical commentary on, the
state of scholarship on this figure/topic
- a brief bio
- some selected quotations
- some relevant visuals (e.g., a head shot)
- a timeline
- a diagram (e.g., showing the relationship between topics,
themes, and/or figures)
- an outline or summary of a key work/s
- some evaluation or critical commentary —> i.e.,
your assessment
- some comparison/contrast to other figures/topics
- some questions this figure/theme raises; topics for further
inquiry
PRESENTATION.
Keep the presentation short: 15-20 minutes. NO MORE THAN 20.
You may present by working through the handout you provide,
glossing it. Or you could provide a supplemental PowerPoint
presentation. Or you could just talk. (Do not read a paper.)
You should allow some time (at least 10 minutes) for questions
and discussion. |
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Historical investigation paper (8-10 pp singlespaced + bibliography)
— 30%
Explore an issue, topic, or question in the history of rhetoric
and show its current relevance and application to writing and/or
the teaching of writing. You can explore in greater depth a topic
we treated in class. Or you can explore a topic/question that we
didn't cover sufficiently (or at all) but that is worthy of treatment.
Use the assignment as an opportunity to expand and deepen your knowledge
of a particular area in the history of rhetoric. Check topic choice
with instructor in advance. Assignment can be done in the form of
a traditional academic paper or as a web essay.
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Take-home final exam — 25%
Exact format to be determined. Probably 2 questions co-developed
by instructor and students.
EXPECTATIONS
AND GRADING
You
are expected to do ALL the required reading, and on time. (PhD students
should read a significant portion of the supplemental reading as
well as the required reading.) Come to class prepared to discuss
the readings and to write about them. You are expected to attend
class always, to participate intensely, and to contribute substantively
to the intellectual community of the class. Your class participation
— which includes in-class oral discussion, in-class writing,
and online discussion board entries (in ANGEL) — will be graded
on your understanding of the material, the depth of engagement with
the topic, and on your contributions to the overall learning of
the community and to your engagement with others in the class.
Your
written work should show that you understand the course material
(readings, discussion); that you are familiar with major topics
and issues in the field related to your research project (and the
subtleties thereof); that you are doing original thinking and innovative
work; that you have read beyond the required reading for the course;
that you can write clearly, cogently, and fluently about the material;
that you are familiar with both primary and secondary materials;
and that you are developing your own intellectually potent viewpoint
toward that material.
POLICY
ON RECYCLING OLD WORK. The writing that you do in AL 805 should
be your own original writing; it should not be writing that you
have done (or are doing) for other courses or purposes. That said,
you can certainly rework projects that you have done previously.
You can also work on the same project for two different courses
this term — if you write separate papers for those two courses
and if you have the permission of both instructors to do so. In
other words, you can work on the same project across courses,
but you cannot reuse the same paper (or piece of writing)
twice.
grade |
means
what about your work?
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4.0 |
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You are doing excellent or outstanding work (research, writing).
You are participating fully and contributing to the intellectual
vitality of the class. Your written work is at or near publication
quality. You understand the course material thoroughly, and
have synthesized across primary and secondary materials to
develop your own viewpoint.
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3.5 |
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You are doing strong work, but it could be better. You are
participating, but could be participating more or engaging
the discussion more effectively. Written work is solid and
competent and shows promise, but is not yet ready for publication.
You understand the course material thoroughly and have begun
to synthesize what you've read.
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3.0 |
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You are doing OK work, but not particularly strong work (some
problems with the research and/or writing). You are participating
only minimally, or your participation does not show sufficient
familiarity with the readings and/or does not engage the discussion.
Your written work shows only remote or superficial understanding
of the readings. You understand some of the course material.
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2.5
or
less
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Not acceptable graduate-level work. Significant problems with
writing and/or research, little or no participation, missing
or regularly late assignments, little understanding or familiarity
with course readings. Not understanding the basic theories
and concepts under discussion.
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A student who plagiarizes her/his writing in AL 805 will receive
a final grade of 2.5 or less, depending on the severity of
the plagiarism.
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Toward
the middle of the semester, the instructor will send out a short
progress report informing each student of her/his grade in the course
at that point.
HELPFUL
RESOURCES
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ONLINE BIBLIOGRAPHIES
Rhetoric
Resources (Carnegie Mellon)
http://eserver.org/rhetoric/
Stephen
Tyler, ANTH 412: Rhetoric [reading list]
http://www.owlnet.rice.edu/~anth412/
Enculturation
links and resources
http://enculturation.gmu.edu/links.html
CompPile
Rhetoric and Composition Bibliography
http://compPile.tamucc.edu/about.htm
The
CCCC Bibliography of Composition and Rhetoric 1984-1999
http://www.ibiblio.org/twtaylor/links.html
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ENCYCLOPEDIAS, GLOSSARIES
Gideon
Burton, Silva Rhetoricae: The Forest of Rhetoric
http://humanities.byu.edu/rhetoric/
- see "Recommended
Readings in Rhetoric"
A
glossary of rhetorical terms
http://www.uky.edu/ArtsSciences/Classics/rhetoric.html
Georgia
Tech Rhetoric Resources
http://www.lcc.gatech.edu/gallery/rhetoric/
Sloane,
Thomas (Ed). (2001). Encyclopedia of rhetoric. Oxford:
Oxford University Press.
Enos,
Theresa (Ed.). (1996). Encyclopedia of rhetoric and composition:
Communication from ancient times to the information age. New
York: Garland.
Lanham,
Richard (Ed.). (1992). A handlist of rhetorical terms (2d
ed.). Berkeley: University of California Press.
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ORGANIZATIONS
Rhetoric Society of America -- http://rhetoricsociety.org/
- holds biennial conference (next one: May 26-29, 2006, Memphis,
TN)
American
Society for the History of Rhetoric -- http://www.ashr.org/
International
Society for the History of Rhetoric -- http://ishr.cua.edu/
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JOURNALS
Ars Rhetorica -- http://www.ars-rhetorica.net/
Philosophy
and Rhetoric -- http://muse.jhu.edu/journals/par/
Rhetorica
-- http://ishr.ucdavis.edu/rhetorica.htm
| http://www.ucpress.edu/journals/rh/
Rhetoric
Review -- http://www.rhetoricreview.com/index.htm
Rhetoric
Society Quarterly -- http://rhetoricsociety.org/
Comas,
"Periodicals in Rhetoric" -- http://www.missouri.edu/~engjnc/rhetoric/periodicals.html
Rhetorical
Review: The Electronic Review of Books on the History of Rhetoric
http://www.nnrh.dk/RR/index.html
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DISCUSSION LISTS
H-RHETOR -- http://www.h-net.org/~rhetor/
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